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8 January 1836 – 25 June 1912. Most renowned painters.

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Francois Pascal Simon Gerard
Ossian on the Bank of the Lora, Invoking the Gods to the Strains of a Harp.

ID: 71502

Francois Pascal Simon Gerard Ossian on the Bank of the Lora, Invoking the Gods to the Strains of a Harp.
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Francois Pascal Simon Gerard Ossian on the Bank of the Lora, Invoking the Gods to the Strains of a Harp.


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Francois Pascal Simon Gerard

12 March 1770 - 11 January 1837) was a French painter born in Rome, where his father occupied a post in the house of the French ambassador. His mother was Italian. As a baron of the Empire he is sometimes referred to as Baron Gerard.  Related Paintings of Francois Pascal Simon Gerard :. | Portrait of Caroline Murat Queen of Naples | Portrait of the Empress Josephine | Portrait of Countess Maria Walewska. | Portrait of la duchesse de Berry et ses enfants | Portrait of Louis XVIII |
Related Artists:
WITTEL, Caspar Andriaans van
Dutch Baroque Era Painter, ca.1653-1736
Alexandre Cabanel
1823-1889 French Alexandre Cabanel Locations French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Francois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Lon Benouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852. The pictures he painted for Alfred Bruyas, his chief patron at this time (and, like Cabanel, a native of Montpellier), showed more clearly the direction his art had taken during his stay in Italy. Albayde, Angel of the Evening, Chiarruccia and Velleda (all in Montpellier, Mus. Fabre) were the first of many mysterious or tragic heroines painted by Cabanel and show his taste for the elegiac types and suave finish of the Florentine Mannerists.
Edouard Brindeau de Jarny
1867-1943






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